Skip to main content

Sad, Slow Minor Moodling

A few days ago, I wrote about my lack of enthusiasm for minor sevenths, my Level 4 Foundations focus for the month at Piano With Jonny. At the end of that post, I wrote that I might try to "improvise/compose something, maybe, that manages to be based in minor sevenths without sounding lost and listless."

Sunday night when we got home from the volleyball party, I myself was feeling a little lost and listless. I'm not sure why. Part of it is I'm sad that yet another club volleyball season is over. I was also tired, and my teen daughter and I weren't getting along, and ... I just felt sad.

Even though it was after 9pm on a Sunday night, I sat down to practice for a few minutes ... but nothing was working. Not only that, I didn't feel like practicing anything. I wasn't in the mood for happy, bouncy ragtime, so no Maple Leaf Rag or Bare Necessities. My Chopin Nocturne would have matched my mood, but I didn't want to think that hard.

I just wanted to play and not think. That's what I wanted to do.

So I started "moodling" on the the I-IV-V minor seventh progression in C minor. I use the word "moodling" to mean a kind of aimless musical doodling that is guided by my mood--my melancholy mood, in this case.

What did I come up with? Nothing great. Nothing profound. Nothing catchy. But ... it sounds nice. It sounds lost and listless, but not in a bad way. It sounds kind of comforting (I think).

So here it is, my Melancholy Moodle in C Minor. It's little more than broken chords, with no real attempt at melody, but it's mine, and I like it.

Comments

Popular posts from this blog

Rethinking Bare Necessities

Today's breakthrough moment (there are actually two of them) focuses on "Bare Necessities." As you'll remember, I discovered Jonny May's arrangement back in early March and immediately decided to learn it. I printed out the music, started the course, and proceeded to learn the stride section, posting a few videos of my progress. Ha. I bet those videos make it look like I was making progress. I guess I was ... but not really. And I realized something this weekend that I hadn't before: Because I was thinking of "Bare Necessities" as a "fun" piece, I wasn't practicing it seriously or diligently. I wasn't treating it as something I wanted to master. This mindset might work with an easier piece, but this arrangement isn't easy. The result: despite a little progress at the outset, I wasn't moving forward. I was stalled. Breakthrough #1 The first breakthrough was realizing that if I truly want to learn this piece and play it well,

March Goals Recap/Looking Ahead to April

It's April 1, and time to revisit the goals I set for last month. I practiced a total of 50.45 hours in March, averaging 1.62 hours (or just over an hour and a half) per day. Realistically, I practice about 45 minutes to an hour a day on weekdays, and I usually get at least one longer practice (or multiple shorter practices) in on one or both days of the weekend to bring the average up. CLASSICAL GOALS Chopin, F Minor Nocturne March Goal: Have entire piece by memory and performance-ready. I have about 90% of the piece by memory, but I still have some work to do before it's performance-ready. The only two sections that I don't quite have are "The Agitation" and the "stretto" section with the seventh chords. I'll work on both this week and will have them both memorized before the weekend. April Goal: Finish memorizing, and polish, polish, polish! My focus now is really on phrasing and dynamics. I have the notes down, even in the difficult passages. Fro

Maple Leaf Rag Breakthrough

Oh, Maple Leaf. Where to begin? At the Beginning I think I’ve mentioned this before, but I learned the A and B sections of Maple Leaf Rag back in the 1990s. I can’t tell you if it was early, mid- or late 90s, but it was during those 10 years after I’d graduated college, when I was playing a good bit of piano but not taking regular lessons from anyone. I don’t remember teaching it to myself at all. I just know that, at some point, the first half of Maple Leaf Rag was part of my two- or three-song repertoire of pieces I’d be able to play by memory over the next 25 years. It was always sloppy and I knew it, but people loved it, and so I played it if there was ever a piano around. Back in January, I decided to properly re-learn those two sections, and to finally learn the C and D sections of this wonderful piece. I worked on these over the next month or two, learning (and-relearning) the notes pretty quickly ... but it took time to memorize, and also to get everything to tempo surpassing a