In my journey through the Learn New Repertoire Faster Challenge at Piano with Rebecca B , I’ve reached Day 16 of Jonny May’s stride arrangement of Ode to Joy . Today’s assignment was to continue learning Batch 5 (measures 72–95) and begin my revisit of Batch 4 (measures 64–71). Day 16 Morning Practice: Pure Joy This morning’s practice focused mostly on Passages 1 and 2 of Batch 5, a.k.a. The Easy Section . The left hand switches from boom-chick to four-on-the-floor, and the busy right hand gives way to a single-note melody. The whole section is delightful, sweet, and charming. I love it. There are still a few tricky spots, and I gave those some focused work this morning. In the video, I say “motifs” when I really mean “phrases,” so I’ll use the right word here. The tricky spots: The lead-in to Phrase 2: The four-on-the-floor pattern shifts, including a bass note on beat one while the right hand plays a broken E minor chord. Not hard, but there’s a stretch between fingers 3 and...
In my journey through the Learn New Repertoire Faster Challenge at Piano with Rebecca B , I’ve reached Day 15 of Jonny May’s stride arrangement of Ode to Joy . Today’s assignment was to continue reviewing Batch 3 (measures 48–63) and continue learning Batch 5 (measures 72–95). Day 15 This morning’s practice focused on measures 88–95 (Passage 3 of Batch 5). The first four measures feature a pedal point : the chords change (Am7 to D7 to G6), but the left-hand octave stays on D. It’s not technically difficult, but it does make my brain work harder because it breaks the usual pattern. D under Am7 feels strange. D under D7 feels normal (ahh). Then D under G6 feels strange again, especially since the G6 is in second inversion (D–E–G–B), which looks more like a third-inversion Em7 to me. Enough theory. If you’re interested, I demonstrate it in the video. I also spent a good chunk of time on the last four measures of Passage 3. In measures 92–93, the right hand is familiar, but the lef...