Picking Up the Pieces: A Piano Practice Journal

In my journey through the Learn New Repertoire Faster Challenge at Piano with Rebecca B , I’ve reached Day 16 of Jonny May’s stride arrangement of Ode to Joy .   Today’s assignment was to continue learning Batch 5 (measures 72–95) and begin my revisit of Batch 4 (measures 64–71). Day 16 Morning Practice: Pure Joy This morning’s practice focused mostly on Passages 1 and 2 of Batch 5, a.k.a. The Easy Section . The left hand switches from boom-chick to four-on-the-floor, and the busy right hand gives way to a single-note melody. The whole section is delightful, sweet, and charming. I love it. Scroll down to the video at the bottom of this post to hear it. There are still a few tricky spots, and I gave those some focused work this morning. In the video, I say “motifs” when I really mean “phrases,” so I’ll use the right word here. The tricky spots: The lead-in to Phrase 2: The four-on-the-floor pattern shifts, including a bass note on beat one while the right hand plays a broken E mi...

In my journey through the Learn New Repertoire Faster Challenge at Piano with Rebecca B , I’ve reached Day 15 of Jonny May’s stride arrangement of Ode to Joy .   Today’s assignment was to continue reviewing Batch 3 (measures 48–63) and continue learning Batch 5 (measures 72–95). Day 15 This morning’s practice focused on measures 88–95 (Passage 3 of Batch 5). The first four measures feature a pedal point : the chords change (Am7 to D7 to G6), but the left-hand octave stays on D. It’s not technically difficult, but it does make my brain work harder because it breaks the usual pattern. D under Am7 feels strange. D under D7 feels normal (ahh). Then D under G6 feels strange again, especially since the G6 is in second inversion (D–E–G–B), which looks more like a third-inversion Em7 to me. Enough theory. If you’re interested, I demonstrate it in the video. I also spent a good chunk of time on the last four measures of Passage 3. In measures 92–93, the right hand is familiar, but the lef...

In my journey through the Learn New Repertoire Faster Challenge at Piano with Rebecca B , I’ve reached Day 14 of Jonny May’s stride arrangement of Ode to Joy .   Today’s assignment was to continue reviewing Batch 3 (measures 48-63) and start Batch 5 (measures 72-95). Day 14 Rebecca didn’t have a video for today. The assignment was simple: keep working through the scheduled batches, using the various practice techniques we’ve learned about. Starting Batch 5 I worked on Batch 5 early this morning—too early, in my opinion. I barely remember practicing it. But I do remember a few things: Passages 1 and 2 (measures 72–87, a repeat of the A theme) are the easy sections . They’re even easier (though longer combined) than the intro. I can sight-read them almost at tempo, even half-asleep at 6:00 on a Sunday morning! The risk with Passages 1 and 2 is that I won’t give them enough attention, so I’ll still drill them over the next few days like everything else. There’s some tricky syncopat...

Happy Saturday, everyone! I’m on a bit of a piano high: a good experience at the assisted living facility on Thursday, then a TikTok Live with a friend last night. And this morning I finally shared my weeks-old You Are My Sunshine video on a few platforms, flubs and all. I’m tired of being my own worst critic. So I posted it, and the response has been very kind. Anyway, enough coasting. Back to work! Day 13 In my journey through the Learn New Repertoire Faster Challenge at Piano with Rebecca B , I’ve reached Day 13 of Jonny May’s stride arrangement of Ode to Joy .   Today's assignment was to begin a three-day revisit of Batch 3 and continue with Batch 4 . Batch 3 and 4 Work I started with Batch 3 , drilling two- and four-measure sections: five minutes each, then three minutes each, all in random order . To choose the next section, I numbered them lightly in colored pencil and pulled a number from a jar. Then I moved to Batch 4 using the same basic format, except all the sect...

One hole in the ceiling down, one to go. And a wayward stove. Yesterday was a mess. We had workmen in the house all morning—a plumber to track down a leak, an electrician to install a new outlet, and the bug man—so I worked from home. I was also scheduled to play piano at a local assisted living facility that afternoon. The plumber arrived first. We had two water spots in the kitchen ceiling, one new and one very new. To find the leak, he cut two holes—one under the shower and one under the toilet. The shower wasn’t the issue. The toilet was. One flush later, we had a small rain shower in the kitchen. He fixed it, but the kitchen was a disaster. Meanwhile, our electric stove had died last week, and we’d been preparing to switch to gas. We paid $400 to install a gas valve on Tuesday. Then the electrician came yesterday to install the outlet—and said it couldn’t be done without tearing out half the kitchen drywall. No thanks. We’ve had enough drywall removed for one day. So we’re returni...

In my journey through the Learn New Repertoire Faster Challenge at Piano with Rebecca B , I’ve reached Day 12 of Jonny May’s stride arrangement of Ode to Joy . I recorded a video for Day 11 yesterday but didn't post anything because I was wiped out. So you get to read about two days today! Day 11 (Yesterday) Yesterday’s assignments were to continue reviewing Batch 2 (measures 24–31 and 40–47) and start Batch 4 (measures 60–71). When I sat down to work on Batch 4, I realized I’d already included Passage 1 (measures 60–63) in Batch 3. So Batch 4 is now just eight measures. I briefly considered adding the next section, but decided to keep it as-is and use the extra time on the revisited batches. Batch 4 These eight measures deliver the biggest bang in the whole arrangement so far: a climbing pattern of diminished chords, leading to syncopated four-note chords, a sparkling downward arpeggio, and then another transition. The first measure is probably the hardest in the piece—stretchy...