Picking Up the Pieces

Sometimes I hate having a digital piano. I miss the simplicity of an acoustic: if something sounds bad, it’s either because the piano is out of tune or I am. With a digital piano, there’s a whole host of settings that could be causing the problem. Balance Weirdness in "You Are My Sunshine" I made my "You Are My Sunshine" run-through video earlier this week. In my head, the balance of bass and treble sounded fine. At the piano, it felt fine. But in the video, the bass sounded booming and muddy, while the melody got lost in the reverberation. Despite my efforts to bring out the right hand and keep the stride bass light, the low notes seemed to swallow everything. I was so frustrated. And then Rebecca and others commented on the same problem when I shared the video on the Piano With Rebecca B platform. So I knew it wasn’t just me. Discovering the Problem Yesterday morning I started digging into the sound more seriously. And suddenly I remembered something I had compl...

This morning, a few minutes before leaving for work, I sat down at the piano and played You Are My Sunshine start to finish without stopping (other than for a few minor flubs). It’s not perfect, but overall it sounds pretty solid. At this point the work is mostly polishing. So now I’m going to listen back to the recording and jot down my observations as I prepare for recital week. 0:21 – Sounds pretty good so far. I should do more metronome work with the click on the off-beat. That will help tighten the rhythm. 0:34 – Those slides sound nice! I really love this section. 0:55 – Interlude 1 sounds good. 1:07 – The first ragtime section sounds muddy. I need to work on articulation and maybe ease up on the pedal. 1:30 – The stride section is sounding better but still needs work. 1:45 – The C9 in Interlude 2 sounds better than I expected. But I should vary the rhythm when switching back to the F6—right now it feels a bit repetitive. 2:00 – The first crossed-hands section feels ponderous...

Y'all, You Are My Sunshine (YAMS) is getting real. Despite being sidelined for a few days by the whiny ganglion cyst in my left wrist, I think I can have YAMS ready for the Piano With Rebecca B dry-run recital on March 17 and the PWJ Student Recital on March 19. All of the sections sound pretty good at play-through, and I'm mostly just tweaking things here and there at this point. (By tweaking, I mean technically; I'm no longer in composing/arranging mode.) I did make one final big decision this morning on the solo section. I'd been playing it in the highest octave available on the piano for a kind of “toy piano” effect. It was fun, but I thought it sounded much better an octave down. At the same time, the solo follows the crossed-hands section where the melody is in the deep bass, so the “toy piano” effect provided both balance and a kind of humorous development. But high-frequency hearing loss, paired with the fact that I can't wear my hearing aid when I play the ...

This month’s Piano With Jonny challenge is the first verse of Danny Boy. The assignment itself is simple enough: play the melody with the basic chords. But because I'm both a glutton for punishment and a music theory nerd, I've made this something much larger. The version in this video is in the original key of C. I’m in Lesson 2 of the challenge (root-position chords + one-note melody) and am pretty much playing it as I should, with a few slides added. I play slides all the time in blues, but I suspect I got the idea here from spending the past few days listening almost obsessively to Bill Evans's recording of Danny Boy. I love the spacious, reflective sound to his version, so I definitely think I'm channeling him here (minus the complex chords). So I hope you'll hear that when you listen. What you won't hear, though, is the humming busy-ness inside my brain as I play! There's a whole lot happening behind the scenes. Behind the Scenes Right now several cou...

I have completed Lesson 4 ("Hands Together") of the PWJ "After You've Gone" course! Well, not exactly. I completed the first phase, which was being able to get it hands together, no matter how slow. I'm still at a relatively slow tempo, though it's picked up quite a bit in the past week. I was finally able to post this progress video on Feb. 28 (my goal was to have something to share by the end of the month, so goal achieved!). The next goals for this piece: Slowly increase the tempo to the 100-120 range. Practice playing a solo Possibly work out an intro and outro Lesson 5 is on soloing. I've already watched it, and it's pretty basic: just use the four notes in whatever chord your left hand happens to be playing. So, if the left hand is on F6, then just play something that only uses F, A, C, and D. Pretty easy. I think the hardest part will be coordinating--switching to the next chord solo in the right hand, and remembering the order of the p...

For the past couple of weeks, I’ve been in Lesson 5 (Minor Turnaround Progression) of PWJ’s Play Lead Sheets with 7th Chords course. It has some weird (to me) chords—half-diminished, iv7s, etc.—and at first I wasn’t sure I would like it. It just sounded so lugubrious . But I'm a good little Piano With Jonny student, so I bit the bullet and started the lesson. There are four suggested lead sheets for learning and practicing this progression: In This Quiet Hour (Jonny’s 8-bar educational tune for the lesson) Lullaby of Birdland You Don’t Know What Love Is Softly, As In a Morning Sunrise I started with “In This Quiet Hour” and then began listening seriously to the other three. I made a playlist with multiple recordings of each song and listened while driving, working, walking. I didn’t know any of them when I started, but now I know and love them (except maybe “You Don’t Know What Love Is”… just too depressing!). Then I printed out The Great Gig Book as a birthday gift to myself, an...