Skip to main content

Maple Leaf, Dixieland, and the Zone

Last Night's Practice:

Last night I worked on that nasty diminished-seventh part of the Maple Leaf Rag "C" section, and I got a little frustrated. I'm doing a much better job of not flexing my thumb back, but now it's like my thumb doesn't know what to do. When I practice slowly, it tucks under like a good thumb, but when I speed up, it sort of freezes, thinking, "I know I'm not supposed to stick way out, but ... now what was I supposed to do again?"

It ended up not feeling like a great practice. I was still struggling with thumb issues, and when I played through individual sections, I was missing notes left and right. I went to bed feeling a little down about the whole thing. I love this music so much, and I really want to be able to play it well.

This Morning: Thinking in Terms of Dixieland Jazz

My plan for this morning was to work on Chopin, but Maple Leaf wouldn't leave me alone. As I was getting ready for work, I listened to some traditional Dixieland jazz (Preservation Hall) and started thinking about the similarities between Dixieland band music and ragtime piano.

If I think of Maple Leaf Rag as a Dixieland band tune, I can imagine the tuba and the banjo in the bass, where the tuba is playing the octaves and the banjo the chords. Though there is also a trombone down there, sliding some of the octaves.

Our other brass instruments are in the right hand, taking turns soloing--clarinet and sax in the B section, maybe trumpet in the A section, all of them in the joyful C section. And what is that in the D section? I almost hear a plucking banjo, but it could be a trumpet as well. Maybe it's a banjo the first time around, and then the trumpet takes over.

Anyway, I came to Maple Leaf Rag this morning with a Dixieland jazz band in my head, and ... something magical happened. I started dancing in my seat as I was playing, and my hands were dancing on the keys, somehow hitting the right notes (mostly) as I watched and enjoyed the Dixieland band at my fingertips.

Folks, that's called being in the zone! I haven't been in the zone with piano this way since ... I don't even know. It's been decades.

The Performance!

Here is my zone video. In the beginning I talk a little bit about last night's practice struggles. Needless to say, when I finally started playing, those struggles went away. My hands and arms didn't get tired. They felt amazing. I feel like I could have played Maple Leaf Rag all day long.

Sadly, I had to go to work. But I'm listening to this as I work, thinking about the "Dixieland" stylistic touches I want to add. I still need to get to Chopin soon ... but I can't wait to work on this one again!

Comments

Popular posts from this blog

Rethinking Bare Necessities

Today's breakthrough moment (there are actually two of them) focuses on "Bare Necessities." As you'll remember, I discovered Jonny May's arrangement back in early March and immediately decided to learn it. I printed out the music, started the course, and proceeded to learn the stride section, posting a few videos of my progress. Ha. I bet those videos make it look like I was making progress. I guess I was ... but not really. And I realized something this weekend that I hadn't before: Because I was thinking of "Bare Necessities" as a "fun" piece, I wasn't practicing it seriously or diligently. I wasn't treating it as something I wanted to master. This mindset might work with an easier piece, but this arrangement isn't easy. The result: despite a little progress at the outset, I wasn't moving forward. I was stalled. Breakthrough #1 The first breakthrough was realizing that if I truly want to learn this piece and play it well,

March Goals Recap/Looking Ahead to April

It's April 1, and time to revisit the goals I set for last month. I practiced a total of 50.45 hours in March, averaging 1.62 hours (or just over an hour and a half) per day. Realistically, I practice about 45 minutes to an hour a day on weekdays, and I usually get at least one longer practice (or multiple shorter practices) in on one or both days of the weekend to bring the average up. CLASSICAL GOALS Chopin, F Minor Nocturne March Goal: Have entire piece by memory and performance-ready. I have about 90% of the piece by memory, but I still have some work to do before it's performance-ready. The only two sections that I don't quite have are "The Agitation" and the "stretto" section with the seventh chords. I'll work on both this week and will have them both memorized before the weekend. April Goal: Finish memorizing, and polish, polish, polish! My focus now is really on phrasing and dynamics. I have the notes down, even in the difficult passages. Fro

Maple Leaf Rag Breakthrough

Oh, Maple Leaf. Where to begin? At the Beginning I think I’ve mentioned this before, but I learned the A and B sections of Maple Leaf Rag back in the 1990s. I can’t tell you if it was early, mid- or late 90s, but it was during those 10 years after I’d graduated college, when I was playing a good bit of piano but not taking regular lessons from anyone. I don’t remember teaching it to myself at all. I just know that, at some point, the first half of Maple Leaf Rag was part of my two- or three-song repertoire of pieces I’d be able to play by memory over the next 25 years. It was always sloppy and I knew it, but people loved it, and so I played it if there was ever a piano around. Back in January, I decided to properly re-learn those two sections, and to finally learn the C and D sections of this wonderful piece. I worked on these over the next month or two, learning (and-relearning) the notes pretty quickly ... but it took time to memorize, and also to get everything to tempo surpassing a