Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook.
I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone.
What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure.
All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing.
And Standchen, though it still need a lot of work (like, um, learning Sections 1 through 8), is sounding really nice.
I'm so eager for tomorrow to get here so I can practice some more!
I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone.
What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure.
All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing.
And Standchen, though it still need a lot of work (like, um, learning Sections 1 through 8), is sounding really nice.
I'm so eager for tomorrow to get here so I can practice some more!
Comments
So true about FL sharing the melody. I think of Un Sospiro too. Just modest OpEd -- there are FL pieces which aren't quite as democratic about sharing, imho. The big ones. The really big ones: Mazeppa, Mephisto come to mind. But why borrow trouble just yet?!
BTW, on my other blog, A Sort of Notebook, I posted this same entry, only I expanded upon it (a little loopily, I might add!).