Skip to main content

Off-Kilter

My practice percentages are seriously off-kilter this month.

As you can see, I'm extremely over in Blues and Lagniappe, slightly over in technique, and extremely under in everything else.

Why the Imbalance?

There are several reasons for this. One is that I picked up "Amazing Grace" again but didn't create a category for it, so all of my "Amazing Grace" practice is covered under the "Blues" umbrella. Also under this umbrella is my practice on blues endings and my reviewing of licks, runs, etc., as I practice improvising.

The imbalance was even worse, but I decided to move my blues scale practice to "Technique." When I did that, my technique percentage shot up.

Another reason for the imbalance is the "Lagniappe" category. "Lagniappe" is a south Louisiana word meaning "a little something extra," so that's the word I'm using for everything else I work on that isn't strictly covered in one of my "proper" categories. With my dad's death and my preparation of the hymns (including an arrangement of "The Old Rugged Cross"), I've spent about 7 hours (and counting) on "lagniappe" alone.

So things are a mess.

Getting the Balance Back

We're almost halfway through the month. I don't know if I can get the balance back completely, but I can work on it. My biggest concern right now is the Chopin nocturne. The masterclass is in 17 days, and I need to focus. I don't want to set aside newer pieces like Jingle Bells and Solace aside altogether ... but I may need to. For now, regardless of how much time I spend on other pieces, my goal is to put at least a half-hour into Chopin every day between now and the 28th.

I do need to spend less time on my blues practice. I think it could be possible to put a little time in each day—15-20 minutes—and be done with it.

As for my maintenance pieces? I can play through them one or two days a week and be okay. I'm thinking of taking a couple of days a week for each one. For example, Maple Leaf Rag on Wednesday and Saturday, Rondo alla Turca on Monday and Friday, Bare Necessities on Tuesday, Thursday, and Sunday. Something like that.

Shiny Objects

I do have a few shiny objects that are threatening to distract me from my current projects. One is the PWJ Contemporary/Pop courses, which I watched while sitting with my dad as he slept at the memory care facility. The other is a Dr. John-style version of Silent Night (and techniques to play like Dr. John in general).

I also want to spend more time on "The Old Rugged Cross." I have so many ideas for this arrangement. When will I find the time to work on it? Maybe this weekend?

Must focus. There will be time for all of those other things. For now, I need to focus, and the main project for the next couple of weeks needs to be CHOPIN.

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...