Skip to main content

Back at It

The good news, in the midst of all this despair, is that the long break from piano doesn't seem to have affected my playing. I got to play throughout the day yesterday, and it was sooo nice to (1) be able to play for so long, and (2) sound really good!

Morning Practice

I tried to work yesterday morning (from home), but I couldn't concentrate. My head hurt, and my eye was (and still is) killing me because I have a scratch on my left cornea. So I told my boss, and she said I have three days of bereavement leave, and to feel free to take some time.

So I did. I turned off the computer, went downstairs, and practiced piano for a couple of hours. Mostly I worked on hymns, starting with the PWJ Amazing Grace that I wrote about earlier, and then moving on to a medley I'm arranging of my dad's favorite hymns. I was going to make it three hymns, but I've decided to just do two: In the Garden and The Old Rugged Cross. I'll play through ITG twice (where the second time is an octave up), and through TORC twice (where the second time is in a punchy gospel style). So my "practice" including arranging both songs.

Afternoon Practice and Piano Lesson

I picked my daughter up from school at 3:00, and then I came back home to practice some more. I worked on "Solace," which I hadn't looked at in a week and a half, and I was able to play through it a few times to reacquaint myself. And then it was time to get to Augusta for my 4:30 piano lesson.

At piano, we talked some about the medley arrangement, but mostly we worked on the Chopin. Remember, I have that masterclass in 24 days. Yes, the masterclass that I was going to spend all of August and September preparing for.

But there is good news: Eric asked me to play it on one of the grand pianos there, and I did play it, by memory, all the way through. I stumbled here and there, but overall it was pretty solid!

Last Night's Practice

Then last night, I played the Chopin for Dan and it was the best I've ever played it. And it was all by memory!

I also played through a few other pieces last night: Bare Necessities, the Rondo, Maple Leaf. They all sound pretty good. You wouldn't think I'd been away from the piano for the better part of the past month.

This Morning

This morning I also resumed my Blues Endings course. I started it before Europe, got halfway through, touched on it for a day or two after Europe, and then never got back to it. So I'm working on that as well and hope to post a video of the endings before long.

I did have to go to work today, so no hours-long practice for me this time. But I'll be playing this evening, just as soon as I'm done with dinner and dishes!

Comments

Popular posts from this blog

Eureka! Secondary Dominant!

I am such a nerd, and I love being a nerd! Today I was working on Section 5 of You Are My Sunshine, specifically on getting this section up to performance level. In other words, I was practicing being a performer , not an arranger . But then, of course, I came up with another idea. I had just played the delicate sixths and descending rag rolls of "when skies are gray" (I chord) and then moved to the parallel octaves of "you never know, dear" (leading to  IV). The shift sounded abrupt to me. Harsh. It needed something. It needed musical WD-40. Something to ease the hinge between textures. And then I stumbled upon it! Right before moving to IV, I can slip in a V7/IV — a secondary dominant! So I tried it, and it sounded so good that I actually yelled "Secondary dominant!" out loud in my house like I was Archimedes discovering water displacement in the bathtub. It's such a small thing. One little chord. But it smooths that transition, leaning the harmony ...

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Well.

It looks like "A Sort of Notebook" is an ex-blog. I'm not going to post a link to it because it's been taken over by spammers. It's Saturday night and I love merlot. No, I'm not drunkly. I went to a 50th birthday party tonight and had two lovely glasses of merlot. Then we went to a toy store. (I should never go to a toy store after two glasses of merlot, and after running eight miles. I bought some yellow teeth, a remote-control fart machine, two crazy pencils, and a present for my future niece who has yet to be conceived.) We went to an art gallery earlier that happens to have a grand piano and I played the Bach Prelude. Oh my, but it's sounding nice! Deborah (my piano teacher) has a grand (I can't remember the manufacturer. Forgive me.) that she wants to sell me for $8,800, or $100 a key. Hubster thinks that's too much. I told him it's a steal--we get the pedals, and the wood, and the wheels, and the bench for free! Lightning struck last nigh...