Skip to main content

Breaking Out of Broken Chords

Back in the 1990s, I bought Volumes 1, 2, and 3 of The New Real Book. These books are full of anything you could ever want to play in jazz, including all of the standards. I'd also bought Mark Levine's Jazz Piano Book, and I was ready to learn jazz.

Alas, a stack of books didn't cut it. I needed a teacher. Someone to show me the ropes. But I didn't know where to look, and besides, I was too shy to ask anyone. I mean, me? Middle-class, shy, cerebral little me, wanting to become a jazzer? Laughable. I didn't even smoke, and I looked silly in sunglasses.

Still, I Could Play Pretty Broken Chords

Every few years, I would dig out the Levine book and try to make progress, and I would dig out the New Real Book volumes and attempt to play songs. Whenever I saw the chord change, I would go to the root of the chord and proceed to arpeggiate, usually with the 1 and the 5. Thanks to my Mark Levine book, I did learn how to play the 3 and the 7 in the right hand with the melody, so that's what I did: lovely (if unimaginative) arpeggios in the left hand, and a somewhat harmonized melody in the right. And I came up with a few very pretty improvisations: there's this one of Over the Rainbow, and this one of All the Things You Are.

Yes, they're nice to listen to, and I love them both. But that's all I knew to do in the left hand: broken chords and arpeggios up and down the lower half of the keyboard, with two- and three-note chords in the upper half. And it wasn't just my habit with lead sheets; I played this way with everything. I played it with any song I tried to write. I played it with every single hymn I ever played from a hymnbook ... the same old broken chords. Here is something I played for my church during COVID.

Same old same old!

Anyway, this style worked fine with ballad-style songs, but I wanted to have some variety. I also wanted to be able to play things that were more upbeat. Instead, I was turning even the fast songs into ballads.

Enter PWJ

I'm currently taking a PWJ course on playing piano with lead sheets and seventh chords (as opposed to adding ninths, thirteenths, etc.). The course so far has been a great introduction (and, for me, a bit of review) to chord progressions, as well as some of the different things you can do in your left and right hands to take the song beyond mere melody notes and accompanying chords.

While it isn't a course on styles, I find that I'm learning what else I can do with the left hand! In this video, I'm playing short, syncopated(?) block chords with "Fly Me To the Moon." I'm not very good at the chords and the timing yet (I don't think there is any rhyme or reason to them), but I am so excited to be playing something other than broken chords!

And guess what! I can play this in whatever key I want! I don't even have to write the Roman numerals in (though it helps)!

Remember That Blog Post on the Rusty Lock and Key?

I am so happy. Even though jazz is no longer my primary area of interest, I am so thrilled to finally be breaking out of the (non-)creative prison that I've been in for so many years. The stubborn rust on the lock is finally beginning to chip off, and the key has begun to turn.

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...