What To Do with the Left Hand

(Written yesterday)

I recently ordered a book titled Playing Solo Jazz Piano by Jeremy Siskind. And then last night, I watched his video on playing solo jazz piano ... and I learned some things that I can do with my left hand! Better yet, none of the information, even in the "Advanced" section, was over my head! The rusty old key is starting to turn. I didn't have much of a chance to play after finishing the video, but I'm looking forward to playing some tonight. I should be getting the book in the mail soon, too, so ... I'm kind of excited!

(Written today)

I couldn't help myself. I had to do it. I had to sit down at the piano and see if I could put some of these ideas into action. I picked a song at random -- Jerome Kern's "All the Things You Are" and proceeded to try playing just the root in the bass and embellish the melody as much as I wanted to. Of course, I ended up falling into a few patterns:

1) Adding chords to the melody

2) Playing slow broken chords (at least the 1 and 5) in the bass

3) Making a usually-upbeat song slow and meditative

None of those patterns are bad, but I'd like to get to where those aren't my default. Particularly with items 2 and 3.

Anyway, here is my meditative version of "All the Things You Are." Sadly, I accidentally cut the end of the video off in order to make it fit in a YouTube reel, then deleted the full video from my phone, not realizing what I was doing.

My next goal with this song (and it will be this song throughout) will be to try improvising with some of the other methods Siskind covers in his video. I do want to see if I can make it more bouncy and upbeat.

Comments

old lady said…

Would love to hear the ending! Beautiful song.

1:56 PM

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

March Goals Recap/Looking Ahead to April

It's April 1, and time to revisit the goals I set for last month. I practiced a total of 50.45 hours in March, averaging 1.62 hours (or just over an hour and a half) per day. Realistically, I practice about 45 minutes to an hour a day on weekdays, and I usually get at least one longer practice (or multiple shorter practices) in on one or both days of the weekend to bring the average up. CLASSICAL GOALS Chopin, F Minor Nocturne March Goal: Have entire piece by memory and performance-ready. I have about 90% of the piece by memory, but I still have some work to do before it's performance-ready. The only two sections that I don't quite have are "The Agitation" and the "stretto" section with the seventh chords. I'll work on both this week and will have them both memorized before the weekend. April Goal: Finish memorizing, and polish, polish, polish! My focus now is really on phrasing and dynamics. I have the notes down, even in the difficult passages. Fro...

Feb. 9 Practice

My February 9 practice was short and sweet. I worked only on the Liszt, playing in rhythms. Do you know how hard it is to play a piece in rhythms when the LH is even and the RH is all over the place, with 2-against-3 and later with 4-against-9? Don't worry--I'm not trying to be impeccably exact when I'm doing rhythms. And I've discovered what a *rut* I've gotten into with the Liszt. It's so beautiful, and part of me is content just to play it through, again and again, and be done with it. But rhythms are forcing me to look at the seamy underside, at the 0's and 1's that make this piece what it is. And it's not an altogether pleasant experience. But it's waking me up. The beauty of this piece has lulled me into a sort of sleepy complacency when I play it. I think that's why Deborah said not to play the piece through a single time this week. It is so tempting to just play it through and listen to the beautiful music. But when I do that, I'm...

Picking Up the Pieces

Search This Blog