Skip to main content

Yet Another Bare Necessities Update

I promise to post on other areas of my piano journey soon. But since I spent so much time on Bare Necessities this weekend, I have progress to report. I also was able to get a few decent videos this morning. And by decent, I mean "not horrible." They are by no means perfect, and all three of them required more takes than I'd like to admit. I was just about to give up when I finally, finally got a decent outro.

I did give up before getting a decent video of the stride section at tempo. I felt frustrated (partly because by then I was going to be late for work), but at the same time, I'm so close to getting a video of myself playing the stride section at tempo! At tempo! This is a huge accomplishment that has been a couple of months in the making.

Below is the ragtime section. As with the stride section, I can feel myself getting frustrated and discouraged by it, but then I have to remind myself of how far I've come. Parts of it have gotten sloppy due to my obsessive recent focus on the outro, and there are also some parts (C-to-A-major-arpeggio-to-D-minor-seventh, I'm looking at you) that I don't think I ever quite "got" and will need to work on some more.


Finally, here is a video of the fun crossed-hands section. And it really is fun. I'm playing it by memory here, and I just have a few spots where I pause due to a slight memory lapse. One or two good, focused practices should solve those problems


I don't yet have a video of the kiddie section. I've been experimenting with playing the first half an octave lower because it really does drive me nuts to play notes I can't hear. But I think it probably works best as written. The notes themselves aren't hard; in fact, this section is, without question, the easiest part of the entire pice. So I should have a good video of it before too much longer.

And that's it. I promise, I won't post any more Bare Necessities updates for at least another 24 hours!

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...