Skip to main content

Weekend Piano Goals - May 3-5, 2024

I'm posting this a day late because I had a crazy day yesterday. The good news is, the volleyball team that I coach won the last game of their season last night!

Here are my piano goals for the weekend, which should be a good weekend for practicing.

Scales & Hanon

I've started working on B and g# for this week, and the B-major scale has made is painfully obvious to me how weak the 3rd, 4th, and 5th fingers of my left hand are. So in addition to working on scales, I'm going to spend some time doing some Hanon exercises that focus on those fingers. As with the other scales, I'm working toward between 100 and 120 on contrary motion and between 120 and 130 on parallel motion. This will be a challenge this week. B major is not a hard scale, but the weakness in my left hand is preventing me from building up speed at the moment. G# minor isn't one of the easier minors, but I've worked on it a lot in the past, so I actually have it at about the same tempo (possibly faster) than I have B major.

Diminished and Half-Diminished Sevenths

I finally made it through a month of minor sevenths in the PWJ course! We have moved on to diminished and half-diminished sevenths. I am not crazy about half-diminished sevenths ... they sound too "modern-jazzy" to me. But I love diminished sevenths. Love 'em. I could just sit at the piano and play diminished sevenths all day long. My goal for this weekend is to get through Lesson 3 of the course, which is an introduction + exercises for C and F diminished and half-diminished sevenths.

Mozart, Rondo Alla Turca

I have started the Rondo! I love it so much. I'd thought about starting at the end and working backwards, but the end is nothing but octaves! I'm not against octaves, but after the Chopin, Maple Leaf Rag, and now Bare Necessities, my hands are craving something where they're not having to stretch constantly! So I'm going to take a break from all the octaves by starting at the beginning of Rondo Alla Turca. My goal for the weekend is to learn the A and B sections and be able to play them, slowly, by memory, by the end of the weekend.

Bare Necessities

I am so looking forward to moving forward on this piece! It's languished for almost two months now, and but it will languish no more. My goal is to continue working toward automaticity with the stride section and to learn the entire Ragtime B section by memory, and be able to play through Ragtime A and B slowly.

Blues

My goal for the weekend is to get through Lesson 6 (Turns). Over the next couple of weeks, I'll practice these for 15-20 minutes a day, with and without the backing track.

Maple Leaf and Chopin

Funny how I always call them "Maple Leaf and Chopin." Not "Joplin and Chopin." Not "Maple Leaf and the Nocturne." It's always "Maple Leaf and Chopin." Anyway, my goal, now that I've graduated from these, is to keep them and continue polishing and improving and making the pieces (along with the articulation, dynamics, etc.) more and more automatic. This will be a happy task. I love both these pieces and hope to live with them both for the rest of my piano-playing life.

And that's it! Those are my goals for the weekend. It should be a good couple days.

Comments

Popular posts from this blog

Eureka! Secondary Dominant!

I am such a nerd, and I love being a nerd! Today I was working on Section 5 of You Are My Sunshine, specifically on getting this section up to performance level. In other words, I was practicing being a performer , not an arranger . But then, of course, I came up with another idea. I had just played the delicate sixths and descending rag rolls of "when skies are gray" (I chord) and then moved to the parallel octaves of "you never know, dear" (leading to  IV). The shift sounded abrupt to me. Harsh. It needed something. It needed musical WD-40. Something to ease the hinge between textures. And then I stumbled upon it! Right before moving to IV, I can slip in a V7/IV — a secondary dominant! So I tried it, and it sounded so good that I actually yelled "Secondary dominant!" out loud in my house like I was Archimedes discovering water displacement in the bathtub. It's such a small thing. One little chord. But it smooths that transition, leaning the harmony ...

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Tyranny of the Dots

In the Billy Joel documentary And So It Goes , Billy talks about "reading the dots." He didn't want—or need—to "read the dots," meaning the music notes on the page. He had developed his own rock 'n' roll piano style and, after a few years of classical training, he left the dots behind. I didn't want to read the dots, either, once upon a time. As a little kid, I had a good ear and could quickly figure out just about any tune on the piano. But in first grade, I finally started piano lessons, thus beginning my life with the dots. The Wall of Dots Between Me and Music I hated the dots! I wanted to learn them, sure, but it was so hard. If my teacher played what was written, I could play it right back for him. But if he asked me to play it from the dots, I felt like I would pop a blood vessel in my brain. It was so frustrating for my six-year-old self to have the code to a simple tune sitting silently before my eyes and not be able to crack it and bring th...