Skip to main content

Bluesy June

I've been thinking a lot about my "Looking Ahead to June" post from a few days ago. I had just about decided that I would set aside my nonPWJ projects (other than the usual maintenance) and focus on my three PWJ courses: Bare Necessities, Blues 10-Lesson Challenge, and Lead Sheets/Seventh Chords. Those three courses focus on ragtime, blues, and theory/improvisation, respectively, but my mind is kind of thinking June is going to be very blues-oriented. A bluesy June.

And then my every-two-or-three-weeks piano teacher/consultant went and suggested that I take on Gershwin's Prelude II. 

I honestly don't know if I want to do this. It's not an easy piece, and it's going to take a lot of time away from my PWJ stuff. I'll also still be working on the Rondo alla Turca. I'm not quite ready to graduate from it just yet; I can play it start to finish, by memory, but I'm nowhere near where I want to be with the tempo. (I'm at about 80, and I want to be around 124.)

Still ... I love this prelude. I love how bluesy it is, and I'd love to learn it. Even though I know those tenths are going to give me headaches. I think it will be a good experience, and, more importantly, I think it's going to bring my technique up a notch. And the tenths practice will be good for helping me with stride/boogie-woogie. So there are a lot of benefits to learning this. And if June is going to be the Bluesy June I'm imagining, it will fit right in.

Also, I performed the Prelude I in high school, and it would be kind of cool to play another one now that I'm ... well beyond high school.

So ... I may start working on the Prelude II ... and I may not. I have a piano lesson tomorrow, and we'll talk more about it then.

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...