Skip to main content

Not-So-Scary Coda II: Bare Necessities

I had just a few minutes this morning after practicing Mozart, so I decided to play through the Bare Necessities coda/finale/outro. As I explained in my previous post, I've skipped ahead to this section, opting to tackle the easier-looking crossed-hand section and kiddie section after I have the outro down.

I've been scared of this section. If you listen to Jonny May play it (link takes you to the beginning of the outro), you can see that it doesn't sound like a walk in the park. And it's not. But I was pleasantly surprised to find that it's not the big, scary challenge that I thought it would be.

The hardest part is the syncopation. I wrote in the beats, circling the melody beats, and clapped out the rhythm a few times.

It took a few times before I "got it," but once I figured that out, it was just a matter of learning the notes ... which aren't that hard. It's basically chromatic octaves with inner notes that don't change that much, while the left hand only changes chords every eight beats.

Even the glissando section at the end isn't bad. The only negative with that is that I can't hear the high notes, thanks to my hearing loss. But that's OK. I can hear them in my heart.

I'm not going to ramble anymore here because I ramble in this video, and I also play some of the finale, slowly.

As with the Mozart, I'm feeling very confident and excited about learning what I thought was going to be a difficult final section!

Comments

Popular posts from this blog

Rethinking Bare Necessities

Today's breakthrough moment (there are actually two of them) focuses on "Bare Necessities." As you'll remember, I discovered Jonny May's arrangement back in early March and immediately decided to learn it. I printed out the music, started the course, and proceeded to learn the stride section, posting a few videos of my progress. Ha. I bet those videos make it look like I was making progress. I guess I was ... but not really. And I realized something this weekend that I hadn't before: Because I was thinking of "Bare Necessities" as a "fun" piece, I wasn't practicing it seriously or diligently. I wasn't treating it as something I wanted to master. This mindset might work with an easier piece, but this arrangement isn't easy. The result: despite a little progress at the outset, I wasn't moving forward. I was stalled. Breakthrough #1 The first breakthrough was realizing that if I truly want to learn this piece and play it well,

March Goals Recap/Looking Ahead to April

It's April 1, and time to revisit the goals I set for last month. I practiced a total of 50.45 hours in March, averaging 1.62 hours (or just over an hour and a half) per day. Realistically, I practice about 45 minutes to an hour a day on weekdays, and I usually get at least one longer practice (or multiple shorter practices) in on one or both days of the weekend to bring the average up. CLASSICAL GOALS Chopin, F Minor Nocturne March Goal: Have entire piece by memory and performance-ready. I have about 90% of the piece by memory, but I still have some work to do before it's performance-ready. The only two sections that I don't quite have are "The Agitation" and the "stretto" section with the seventh chords. I'll work on both this week and will have them both memorized before the weekend. April Goal: Finish memorizing, and polish, polish, polish! My focus now is really on phrasing and dynamics. I have the notes down, even in the difficult passages. Fro

Maple Leaf Rag Breakthrough

Oh, Maple Leaf. Where to begin? At the Beginning I think I’ve mentioned this before, but I learned the A and B sections of Maple Leaf Rag back in the 1990s. I can’t tell you if it was early, mid- or late 90s, but it was during those 10 years after I’d graduated college, when I was playing a good bit of piano but not taking regular lessons from anyone. I don’t remember teaching it to myself at all. I just know that, at some point, the first half of Maple Leaf Rag was part of my two- or three-song repertoire of pieces I’d be able to play by memory over the next 25 years. It was always sloppy and I knew it, but people loved it, and so I played it if there was ever a piano around. Back in January, I decided to properly re-learn those two sections, and to finally learn the C and D sections of this wonderful piece. I worked on these over the next month or two, learning (and-relearning) the notes pretty quickly ... but it took time to memorize, and also to get everything to tempo surpassing a