Skip to main content

Ode to Joy: The "Before" Performance

This is not really a performance.

It’s a sight-read—my second pass through Jonny May’s Ode to Joy. I first sight-read it yesterday while trying to figure out which sections would be the most challenging. Today I played it once more for the "before" video.

I’m posting it as a reminder: every piece I eventually play well starts like this. Slow, uneven, and occasionally unrecognizable as music.

What I’m Actually Working Toward

My main goal with this piece is to collect arranging “tools.” But I also want to learn the piece itself, because it’s too good not to. Right now, it sounds great when Jonny plays it.  I assume it will also sound good when I play it, and hopefully it will feel great once it's under my hands.

That said, this won’t be quick. The left-hand jumps are manageable, but the right hand stays busy, and the tempo seriously moves.

A Rough Time Estimate

Difficulty-wise, Ode to Joy feels comparable to pieces like Jingle Bells Rag, America the Beautiful, or maybe Pineapple Rag. Those took me somewhere between 35 and 50 hours each. So I’ll estimate that this one will take about 45 hours for this one, based on my normal practice habits. There is no scientific basis for my estimate, but I think it's a pretty reasonable guess. The plan is to finish this one by the end of June, which would be a really nice way to end my 6-month deep-dive into stride technique. (Click here to see my first-half-of-2026 goals.)

How I’m Approaching "Ode to Joy"

I’m using Rebecca Bogart’s Learn New Repertoire Faster challenge and will track progress here as I go.

So far I’ve:

  • Completed a harmonic analysis
  • Mapped the overall structure
  • Marked sections by difficulty (red, yellow, green)
  • Recorded the “before” video

Next step is to divide the piece into batches: eight groups of three chunks each. After that, I start working systematically.

I don’t fully understand every part of the challenge yet, but I’ll explain it as I go. And it will be interesting to see if the challenge helps me to learn it faster than my estimated 45 hours. I hope it does!

The Video (Proceed With Caution!)

This sight-read is very rough!

Jonny’s recording (linked above) runs about 2:17. Mine goes well past ten minutes—and I didn’t even make it to the last page because I had to leave for work.

For most of it, the melody is unrecognizable. It starts to come through a bit in the four-on-the-floor section around 11:50.

Still, this is the baseline.

What's Next

I’ll post updates as I work through sections of the piece. Ideally, future videos will contain actual music!

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Eureka! Secondary Dominant!

I am such a nerd, and I love being a nerd! Today I was working on Section 5 of You Are My Sunshine, specifically on getting this section up to performance level. In other words, I was practicing being a performer , not an arranger . But then, of course, I came up with another idea. I had just played the delicate sixths and descending rag rolls of "when skies are gray" (I chord) and then moved to the parallel octaves of "you never know, dear" (leading to  IV). The shift sounded abrupt to me. Harsh. It needed something. It needed musical WD-40. Something to ease the hinge between textures. And then I stumbled upon it! Right before moving to IV, I can slip in a V7/IV — a secondary dominant! So I tried it, and it sounded so good that I actually yelled "Secondary dominant!" out loud in my house like I was Archimedes discovering water displacement in the bathtub. It's such a small thing. One little chord. But it smooths that transition, leaning the harmony ...