Skip to main content

Thinking about Christmas Music

As October approaches, I’m already thinking about which Christmas song to add to my repertoire this year. (I’ll share a September recap and October goals soon, but today’s focus is on my holiday project.)

Last year, I tackled "Jingle Bells Rag," which I started learning in September. It was a challenging piece, but I managed to have performance-ready by Christmas. Here it is, in all its glory, including one charming flub at the end:

This year, in my efforts to get away from complicated reading-by-the-dots pieces, I'd like to do something a little simpler, and a little more flexible--something that allows for creativity and doesn't demand hours of passage-drilling. Sadly, this rules out my initial idea: Jonny May's "Silent Night Rumba" in the style of Dr. John. It's delightful (listen to it here), but it's too intricate and challenging for my timeline, especially if I want to balance other projects.

Instead I'm considering three options for my Christmas piece, all of which feel achievable even if I start later in October.

Option 1: Jazz Ballad-Style Christmas Using PWJ Quick Tips

Piano With Johnny offers multiple Quick Tips on crafting jazz ballad arrangements using Christmas songs as examples. This approach gives me flexibility:

  • Learn one of the sample arrangements note for note.
  • Master the concepts enough to create my own arrangement or improv of the sample song.
  • Apply the techniques to another Christmas song not covered in the Quick Tips.

This option feels approachable and lets me blend structure with creativity. The big unknown is how (and whether) I can "master the concepts enough" to develop something good by Christmas.

Option 2: Ragtime-Style Christmas Using Ragtime Courses and Experience

Another option is to find a faster Christmas song and develop a ragtime arrangement based on what I've learned from Jingle Bells Rag and other PWJ ragtime courses. I can use Butch Thompson's "Yulestride"  (a favorite holiday album since I discovered it in the mid-90s) as inspiration.

Option 3: Learn an Easy/Intermediate Arrangement

There are so many beautiful, accessible Christmas arrangements out there. I can just choose a straightforward piece that I can learn quickly. One possibility is Jonny's Silent Night Rhumba 1 course, a simpler version of the rhumba I originally considered.

I think any of these paths could work. If I had readers, I would end this blog post with, "Which option do you think I could choose?" For now, I'll decide soon and share my progress here!

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Eureka! Secondary Dominant!

I am such a nerd, and I love being a nerd! Today I was working on Section 5 of You Are My Sunshine, specifically on getting this section up to performance level. In other words, I was practicing being a performer , not an arranger . But then, of course, I came up with another idea. I had just played the delicate sixths and descending rag rolls of "when skies are gray" (I chord) and then moved to the parallel octaves of "you never know, dear" (leading to  IV). The shift sounded abrupt to me. Harsh. It needed something. It needed musical WD-40. Something to ease the hinge between textures. And then I stumbled upon it! Right before moving to IV, I can slip in a V7/IV — a secondary dominant! So I tried it, and it sounded so good that I actually yelled "Secondary dominant!" out loud in my house like I was Archimedes discovering water displacement in the bathtub. It's such a small thing. One little chord. But it smooths that transition, leaning the harmony ...