Skip to main content

Tuesdays & Wednesdays, + Thursday Micro-Practices

I have been dealing with a lot of anxiety lately. I've had issues with the depression in the past, but anxiety has never been that much of a problem for me ... until now. Some of it has to do with work stress, some has to do with money stress, and some is just plain old life stress. While the cost of piano lessons adds somewhat to the money stress, the escape of practice and the anticipation of the next lesson have helped me make it through these last few weeks.

I'm finding that I tend to hit a low point on Wednesday evenings. Let's see why:
  • On Tuesdays, I have a full day of work, including a required meeting at noon.
  • On Tuesday evenings, I am the leader for a combined Tiger/Wolf/Bear Cub Scout Den.
  • On Wednesdays, I have a full day of work, including a required meeting from 12:30 to 2:00.
  • On Wednesday evenings, I volunteer to teach a pre-school class at church.
  • On Wednesday nights, I have choir practice.
So, as you might imagine, I can go two days without touching the piano, and not from lack of desire to do so. Tuesdays and Wednesdays are like whirlwinds, and I collapse, exhausted, into bed on Wednesday nights.

Except there's this other anxiety thing I'm dealing with: insomnia, accompanied by random panic attacks as I lie in bed and the worries and cares of life race through my brain.

This morning I still managed to wake up early enough to work on some scales. I'm on my lunch hour right now, and I've already managed to have two micro-practices today:
  • Early this morning from about 7:40 to 8:00, I ran through my major scales and six minor scales. I also worked on Hanon, practicing playing loud/soft in a controlled manner.
  • For about 10 minutes at lunch, I worked through the other six minor scales and played through the Schubert coda three times at a slow pace.
I think I'm ready to go to the next section of the Schubert. Since I'm working backwards, that will be the last few measures before the coda begins.

I have a Cub Scout recruiting event at 5:30, and then my daughter has taekwondo at 6:30, so we won't be home until about 7:30 tonight. Luckily, we have plenty of leftovers for dinner, which means I won't have to cook or wash a bunch of dishes ... which means that I just might have some time for Bach and Chopin tonight!

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...