Skip to main content

Thoughts on 2025

Yesterday was the Piano With Jonny annual student awards, and I won a ragtime performance award! It was quite an honor because there are a lot of good pianists, including ragtime pianists, in the PWJ community. Most of the awardees had been in PWJ for multiple years, so I felt particularly honored as a first-year student. Here is the clip where they announced the award!

This honor has inspired me to think about my future long-term goals. Barring further issues with my wrist (and elbow), I think I have big plans for 2025.

Ragtime

First, I want to learn three new Scott Joplin rags: Pineapple Rag, Elite Syncopations, and The Ragtime Dance. I want to learn them in that order--in other words, from the easiest to the most difficult. The plan is to average four months per piece, with the hope that Pineapple Rag will take a little less than that so I have more time for the others. These will be more challenging than my pieces from 2024 (Maple Leaf Rag, Solace, and The Entertainer). Not only are they mostly more difficult, but they won't be re-learns for me.

Classical

In the classical realm, I want to master Liebestraume, of course. After that? I'm thinking either Chopin's Grande Valse Brilliante in Eb major, or Schubert's Gb major Impromptu. There are also a few re-learns I'd like to tackle: the Schubert Eb major impromptu and the Bach C# major prelude are two that come to mind. But I'd also like to review some easier pieces -- Bach's G minor sinfonia and his Bb prelude are two that come to mind.

Blues

And in the Blues world? I'll continue working through the PWJ style track, which includes several songs that I can learn. These could include the St. Louis Blues Challenge and Cruella De Vil, which are two that I would want to learn anyway.

Special Projects?

I'm thinking of doing a special one-month project for each month. It could be a PWJ intermediate challenge or a Nina challenge. For one, I'd like to work up a ragtime version of some Louisiana songs I like. And I'd like to continue working on The Old Rugged Cross and other gospel/hymn arrangements. And the classical music re-learns my fit into this category. The special project can't be something that is too difficult.

Monthly Priorities

Each month will have five main focuses: Technique, Ragtime, Blues, Classical, and Special Project. And, of course, maintenance. There is always maintenance to be done. Maintenance is more of a challenge as I master more music, but it's a fun challenge. One goal with maintenance is to eventually have at least 15 songs by memory that I can play at a moment's notice.

So, I'm excited about the year to come. The only negative is my wrist, but I'm going to see a hand specialist on Tuesday. Hopefully this is something that can be fixed/helped with a cortisone shot and/or some physical therapy.


Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...