Skip to main content

Liszt Liebesträume Progress Videos

I finally have some progress videos to share! There were all one-off videos because I had no time to re-record things until they were perfect. These are progress videos anyway, so you'll hear a few unplanned pauses, wrong notes, and tempo inconsistencies. But it's sounding like music! And that is my current low bar for this piece!

I am focusing really hard on bringing out the melody notes throughout. That is a harder task than you would think, but I'm getting there.

Here is the first section, which introduces the theme:

I don't have a video of the second section because I accidentally deleted it. But below is the first cadenza, which follows the missing second section. This seemed to take forever to learn, but now that I have it, it feels very natural under my fingers. I'm still playing it slowly and deliberately; speed and expression will come, but not just yet.

Here is the B-major section that follows the cadenza. It includes the gorgeous modulation to C major. It was difficult to learn, but, like the cadenza above, it feels more natural the more I play it.

So, none of this is perfect, but it's progress. And that's all I'm asking for at this point!

What's Next

The next section is in C major, and I thought it was going to be really hard. I started working on it yesterday, mainly just writing in some fingering and labeling the different chords. This morning I played it using block chords in place of the written arpeggios. After about 30 minutes, I could play it through pretty well with the block chords. As I finished up my practice, I realized: "This isn't as hard as I thought it would be!" It's definitely not easy, but it makes sense. And if my brain can understand it, my fingers will follow.

I am so excited about learning this piece. It's been a challenge so far, but I have loved my practice sessions, where I get so focused that 30 or 40 minutes will just fly by. It feels like work, but it also feels like play. I love it.

Comments

Popular posts from this blog

Eureka! Secondary Dominant!

I am such a nerd, and I love being a nerd! Today I was working on Section 5 of You Are My Sunshine, specifically on getting this section up to performance level. In other words, I was practicing being a performer , not an arranger . But then, of course, I came up with another idea. I had just played the delicate sixths and descending rag rolls of "when skies are gray" (I chord) and then moved to the parallel octaves of "you never know, dear" (leading to  IV). The shift sounded abrupt to me. Harsh. It needed something. It needed musical WD-40. Something to ease the hinge between textures. And then I stumbled upon it! Right before moving to IV, I can slip in a V7/IV — a secondary dominant! So I tried it, and it sounded so good that I actually yelled "Secondary dominant!" out loud in my house like I was Archimedes discovering water displacement in the bathtub. It's such a small thing. One little chord. But it smooths that transition, leaning the harmony ...

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Ode to Joy Day 3: Patterns, Shapes, and Short Breaks

As I work through Rebecca Bogart's Learn New Repertoire Faster challenge , I'll be posting more extended updates here on my blog. Days 1–3 Day 1 was analysis, listening, and generally scoping out the territory of the music . The road trip to Florida last week turned out to be Day 1, even if I didn't label it that way at the time. Day 2 was fingering and the start of my first "batch": measures 0-7 (intro), 8-15 (Section A), and 16-23 (Section A'). Day 3 (today) was about recognizing patterns and continuing work on Batch 1. Batch 1: Intro, A, A' The intro isn't difficult, and it will likely be one of the two easiest sections in this piece. Still, the syncopation is a little tricky, so I took some extra time with it. I've already memorized it, as the chord progression is pretty straightforward and the melody is just a single line (no harmony notes). There is one big augmented chord at the end that required some focused work. Sections A and A' ar...