Skip to main content

Monday, July 3

Tonight's practice was abominable. It lasted all of 10 minutes.

I was on the road all day yesterday and most of today. It was a very long road trip. On the way from Louisiana to North Carolina, we started out on I-10 and decided to go to Gulfport (Mississippi) and Hwy. 90 to see the damage from Katrina. I have many happy memories of weekends and holidays at the summer home of a friend's family and wanted to see what, if anything, remained of it.

Well, nothing was there. A few boards of the bingo hall on the corner were still there, but only the cement foundation remains of the house. That's all that remains of anything, actually. It was a sad drive.

I got back home this evening and, after a short run, decided to try practicing.

Mistake.

I'm too exhausted to play even a half-decent scale, much less anything by Liszt or Bach. I muddled through a couple of scales and arps before I quit. Tomorrow's a new day. I'll try and start over my practice session then.

Until then, it's sleepytime for me. I've lost two days of practice, but I worked on piano so much last week that I don't feel too bad about the missed time (other than that I've missed being with my favorite musical instrument in the whole world!).

Good night!

Comments

Nathan said…
Waterfall -

Liking the blog very much, I can relate to your situation, having graduated from a conservatory but working the job in corp. america for now. The p/f you are working on is a very happy piece.

I was wondering what else is part of your recital repertoire... one of the things I began doing recently that I never did as a student was to book myself for shorter 15 minute recitals with another 20 minutes of lecture and Q/A after I was done for captive audiences such as retirement homes. I would do this at a few locations each month. It took the perfectionist pressure off me while allowing me plenty of low stress pre-performance opportunities. I would videotape myself and review it later for additional input.

Completely unsolicited advice I realize but may fit a future situation of yours. Thanks for the blog, a refreshing read.

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

The Tyranny of the Dots

In the Billy Joel documentary And So It Goes , Billy talks about "reading the dots." He didn't want—or need—to "read the dots," meaning the music notes on the page. He had developed his own rock 'n' roll piano style and, after a few years of classical training, he left the dots behind. I didn't want to read the dots, either, once upon a time. As a little kid, I had a good ear and could quickly figure out just about any tune on the piano. But in first grade, I finally started piano lessons, thus beginning my life with the dots. The Wall of Dots Between Me and Music I hated the dots! I wanted to learn them, sure, but it was so hard. If my teacher played what was written, I could play it right back for him. But if he asked me to play it from the dots, I felt like I would pop a blood vessel in my brain. It was so frustrating for my six-year-old self to have the code to a simple tune sitting silently before my eyes and not be able to crack it and bring th...