Skip to main content

Monday, July 3

Tonight's practice was abominable. It lasted all of 10 minutes.

I was on the road all day yesterday and most of today. It was a very long road trip. On the way from Louisiana to North Carolina, we started out on I-10 and decided to go to Gulfport (Mississippi) and Hwy. 90 to see the damage from Katrina. I have many happy memories of weekends and holidays at the summer home of a friend's family and wanted to see what, if anything, remained of it.

Well, nothing was there. A few boards of the bingo hall on the corner were still there, but only the cement foundation remains of the house. That's all that remains of anything, actually. It was a sad drive.

I got back home this evening and, after a short run, decided to try practicing.

Mistake.

I'm too exhausted to play even a half-decent scale, much less anything by Liszt or Bach. I muddled through a couple of scales and arps before I quit. Tomorrow's a new day. I'll try and start over my practice session then.

Until then, it's sleepytime for me. I've lost two days of practice, but I worked on piano so much last week that I don't feel too bad about the missed time (other than that I've missed being with my favorite musical instrument in the whole world!).

Good night!

Comments

Nathan said…
Waterfall -

Liking the blog very much, I can relate to your situation, having graduated from a conservatory but working the job in corp. america for now. The p/f you are working on is a very happy piece.

I was wondering what else is part of your recital repertoire... one of the things I began doing recently that I never did as a student was to book myself for shorter 15 minute recitals with another 20 minutes of lecture and Q/A after I was done for captive audiences such as retirement homes. I would do this at a few locations each month. It took the perfectionist pressure off me while allowing me plenty of low stress pre-performance opportunities. I would videotape myself and review it later for additional input.

Completely unsolicited advice I realize but may fit a future situation of yours. Thanks for the blog, a refreshing read.

Popular posts from this blog

Rethinking Bare Necessities

Today's breakthrough moment (there are actually two of them) focuses on "Bare Necessities." As you'll remember, I discovered Jonny May's arrangement back in early March and immediately decided to learn it. I printed out the music, started the course, and proceeded to learn the stride section, posting a few videos of my progress. Ha. I bet those videos make it look like I was making progress. I guess I was ... but not really. And I realized something this weekend that I hadn't before: Because I was thinking of "Bare Necessities" as a "fun" piece, I wasn't practicing it seriously or diligently. I wasn't treating it as something I wanted to master. This mindset might work with an easier piece, but this arrangement isn't easy. The result: despite a little progress at the outset, I wasn't moving forward. I was stalled. Breakthrough #1 The first breakthrough was realizing that if I truly want to learn this piece and play it well,

March Goals Recap/Looking Ahead to April

It's April 1, and time to revisit the goals I set for last month. I practiced a total of 50.45 hours in March, averaging 1.62 hours (or just over an hour and a half) per day. Realistically, I practice about 45 minutes to an hour a day on weekdays, and I usually get at least one longer practice (or multiple shorter practices) in on one or both days of the weekend to bring the average up. CLASSICAL GOALS Chopin, F Minor Nocturne March Goal: Have entire piece by memory and performance-ready. I have about 90% of the piece by memory, but I still have some work to do before it's performance-ready. The only two sections that I don't quite have are "The Agitation" and the "stretto" section with the seventh chords. I'll work on both this week and will have them both memorized before the weekend. April Goal: Finish memorizing, and polish, polish, polish! My focus now is really on phrasing and dynamics. I have the notes down, even in the difficult passages. Fro

Maple Leaf Rag Breakthrough

Oh, Maple Leaf. Where to begin? At the Beginning I think I’ve mentioned this before, but I learned the A and B sections of Maple Leaf Rag back in the 1990s. I can’t tell you if it was early, mid- or late 90s, but it was during those 10 years after I’d graduated college, when I was playing a good bit of piano but not taking regular lessons from anyone. I don’t remember teaching it to myself at all. I just know that, at some point, the first half of Maple Leaf Rag was part of my two- or three-song repertoire of pieces I’d be able to play by memory over the next 25 years. It was always sloppy and I knew it, but people loved it, and so I played it if there was ever a piano around. Back in January, I decided to properly re-learn those two sections, and to finally learn the C and D sections of this wonderful piece. I worked on these over the next month or two, learning (and-relearning) the notes pretty quickly ... but it took time to memorize, and also to get everything to tempo surpassing a