Skip to main content

Scales

When I spoke with my new piano teacher, we talked a bit about scales. What scales did I know? How did I practice them, back in the days when I used to practice?

I demonstrated my usual routine using C major: With the metronome, one octave in parallel motion, with one note per beat. Then two octaves in contrary motion with two notes per beat. Then three octaves in parallel, three notes per beat. And finally four octaves in contrary with four notes per beat. And then rinse and repeat with the relative minor.

So she said, "All twelve each day might be a little much, so let's make it six per day."

Gulp.

With Deborah, I did one per week: one major scale, with the relative minor. And then the inversions and arpeggios.

Six scales per day? And with the relative minors, that's twelve!

Soooo ... I have some work to do.

I've been under the weather for a few days and haven't played much, but I managed to play scales in six keys tonight (actually twelve, including relative minors): C through F. All of the white keys were a breeze, as were C minor, D minor, and E minor. C# minor, E-flat minor, and F minor ... not so much. I'd been playing with the metronome on 60, but I had to slow down to 44 for those three.

Tomorrow I play F through B. Somehow I think I'm going to spend more time down in the 40's tomorrow.

I'm wondering if I should stick with relative minors, or just do majors and minors in the same keys each time. For example, do I practice the majors and minors from C to F like I did tonight? Or do I do C major through F major, and then A minor through D minor? In pairs? As in C major/A minor, D-flat major/B-flat minor, D major/B minor, etc? I think maybe.

Then again, maybe not.

I can experiment. Play around. This is very new to me, this scale thing. I'm sure I did scales in college, but it wasn't until I worked with Deborah that I started to play them all in contrary motion. Only then did I really learn my scales (even though learning contrary motion was quite the struggle).

I'm kind of happy to be working on scales. I've always loved scales. Once upon a time, I could fly right through them. I can't do that now ... but it will be nice to be able to do that again!

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

March Goals Recap/Looking Ahead to April

It's April 1, and time to revisit the goals I set for last month. I practiced a total of 50.45 hours in March, averaging 1.62 hours (or just over an hour and a half) per day. Realistically, I practice about 45 minutes to an hour a day on weekdays, and I usually get at least one longer practice (or multiple shorter practices) in on one or both days of the weekend to bring the average up. CLASSICAL GOALS Chopin, F Minor Nocturne March Goal: Have entire piece by memory and performance-ready. I have about 90% of the piece by memory, but I still have some work to do before it's performance-ready. The only two sections that I don't quite have are "The Agitation" and the "stretto" section with the seventh chords. I'll work on both this week and will have them both memorized before the weekend. April Goal: Finish memorizing, and polish, polish, polish! My focus now is really on phrasing and dynamics. I have the notes down, even in the difficult passages. Fro...