Skip to main content

A Whirlwind Piano Week

It has been a busy week for piano, which is kind of wild, since I have an injured left wrist and haven’t had access to my piano since last Friday.

But some exciting things have happened nonetheless, so I’ll share them here.

One Thousand Hours!

I hit the 1,000-hour mark in my PWJ practice journal this weekend! I started keeping the journal the day I joined PWJ, January 31, 2024. Funny enough, that day feels like it should be an observed holiday in my mind. Almost like a birthday. Definitely a rebirth day.

Of course, I have a chart showing which pieces and projects received what degree of attention over the past two years. In this chart, I left out anything that got less than six hours, mainly to keep it somewhat clean.

It’s interesting that so much of my time went toward learning written pieces: Liszt, Pineapple Rag, Bare Necessities, and others. I expect very little of my time to go toward written pieces this year, as I’m morphing from an interpreter/performer identity into an arranger and musical explorer. Speaking of arranging and exploring…

YAMS Feedback!

I finally bit the bullet and submitted a very rough You Are My Sunshine video to the PWJ page, asking for kind but constructive criticism. I didn’t get much at first, but on Saturday, Jonny May himself listened and gave me some very pointed and helpful feedback. He was extremely enthusiastic about the arrangement, which sent my motivation into the stratosphere. Since then, I’ve been playing with ideas based on his input and rewatching some of the courses he recommended.

Transposing Focus

With my left hand out of commission thanks to a ganglion cyst, and with only a Yamaha YPT-400 to play, I’ve been spending a lot of my piano time lately on transposing melodies. Or, more specifically, on thinking of notes and chords as numbers or scale degrees. Jonny teaches this approach in the PWJ Transposing Lead Sheets course.

I’ve never thought about music this way before, and the idea is blowing my mind. I want to write more about this later. It really is a paradigm shift for me.

Reading and Listening

I’m currently reading The Music Lesson by Victor Wooten, which has been interesting. It’s a little odd in places, but it’s offering some good food for thought, particularly as I shift toward a more explorative approach to music. I’m also nearly finished listening to Music: A Subversive History by Ted Gioia.

Finally, I’ve been listening to a lot of music, mostly songs listed in the lead sheet course that follow similar chord progressions. Between this listening and my transposing work, I really think my ear has begun to develop more.

So, that may not be a “whirlwind” week for most people, but it has been for me.

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Eureka! Secondary Dominant!

I am such a nerd, and I love being a nerd! Today I was working on Section 5 of You Are My Sunshine, specifically on getting this section up to performance level. In other words, I was practicing being a performer , not an arranger . But then, of course, I came up with another idea. I had just played the delicate sixths and descending rag rolls of "when skies are gray" (I chord) and then moved to the parallel octaves of "you never know, dear" (leading to  IV). The shift sounded abrupt to me. Harsh. It needed something. It needed musical WD-40. Something to ease the hinge between textures. And then I stumbled upon it! Right before moving to IV, I can slip in a V7/IV — a secondary dominant! So I tried it, and it sounded so good that I actually yelled "Secondary dominant!" out loud in my house like I was Archimedes discovering water displacement in the bathtub. It's such a small thing. One little chord. But it smooths that transition, leaning the harmony ...