Skip to main content

Pineapple Rag Is in the Books!

I have graduated from Pineapple Rag! Of course, I never truly graduate from anything, but Pineapple Rag will no longer be an active piece after this week. Starting this weekend, it joins my ever-growing mountain maintenance pieces that I'll revisit every weekend.

Two Performances!

I've performed it twice: once in the Piano with Rebecca B group last Saturday, and finally at the PWJ student recital yesterday. My Piano with Rebecca B performance wasn't great, but it wasn't terrible either. I approached it as a run-through for the PWJ recital, which I signed up for last month (or maybe in April).

I wasn't able to practice much between the two performances, thanks to a ridiculously busy week and some hand pain due to my ganglion cyst and pinky arthritis. I tried to practice Wednesday night and made it about fifteen minutes before I had to stop. I honestly thought I would have to cancel on PWJ.

Alas, I showed up and played, and it went quite well! Not perfect, but I was able to keep going, despite mistakes. Most important, there was no freezing up, no mind-blanking, no panicso that is huge. Even better, I had fun. My performance is not pretty because I'm hunched over and look like Professor Trelawney, but I'm also bouncing and dancing and smiling throughout the piece. So that's cool. (I can't share the video because it's private, but stay tuned for an "official" video soon.)

Practicing to Perform

I partly credit my ability to perform this piece with new "practicing to perform" techniques that I learned from Dr. Molly Gebrian and Rebecca Bogart. I walk through the technique in the video below. Following the video, I'll list some of my lessons learned from the experience.

Lessons Learned

Here are some lessons learned that I shared with the Piano with Rebecca B group:

  • Surprisingly, "easier" sections tripped me up more than the "difficult" ones, showing the value of sectioning the entire piece. This makes sense, as I'd put more work into the harder sections.
  • I have serious stage fright! The moment I imagine an audience in my head, I dive headlong into fight-or-flight mode—hands sweating and shaking, pedal foot shaking, wanting to cry, etc. I talked through some of the issues in the video, and this helped! I was still nervous on Saturday, but it was nothing like what I pre-experienced on Friday night.
  • Making up "scenes" for each section was very helpful. (For Pineapple Rag, I imagined various scenes from an early-20th-century "Pineapple County Fair"!) As I practiced, I focused on each scene as closely as I could. I was able to imagine the scenes during much of my performance on Saturday, and it helped so much. In fact, my brain didn't go into blank-out-and-panic mode a single time.
  • The most troublesome section in my practice was the one that included my original embellishment in Section B. Not surprising, as I only added it a week or two ago, so it was still new. Next time I take on a piece that "allows" embellishments, I think I'll start developing/practicing them much earlier in the learning process.

I'm so happy. I love Pineapple Rag so much and am proud to add to the maintenance list.

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...