May-Tenance Month is in Full Swing!

Last night I practiced Misty, the Bible of Blues Riffs, and Liszt! (My beloved Franzi!)

Misty was a little rough, which was surprising, considering I performed it by memory less than a month ago. Alas, I am not a computer. After 15 minutes, however, it was mostly back in my working memory. I'll be working on it 2-3 times a week throughout the month.

Bible of Blues Riffs was VERY rough! I started over from the beginning, reviewing only the one-note-at-a-time riffs for about 20 minutes. I also practiced using the stride style, which was very difficult, as I'm used to playing the blues shuffle. I didn't feel great about my progress by the end of the session, but I imagine it will come more quickly after a few more sessions. This is one of my top priorities for May.

And Liszt! I spent 32 minutes working on the cadenzas. The first cadenza is harder for me. I can play the notes and have practiced them in all kinds of ways--blocking, rhythms, hands separately--but I'm hitting a tempo ceiling at about 80bpm. The second cadenza is much easier to play fast. I spent most of my time last night playing it in rhythms. Both sounded better by the end of the session.

This morning I worked on technique and Pineapple Rag. Here is the "D" section of Pineapple--it's rough, but it's coming back pretty quickly. I'll be ready to work on a different section next time.

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The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Picking Up the Pieces

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