Skip to main content

Logan's Song

 I wrote "Logan's Song" years and years ago. Thirty-two years ago, to be exact. It was during the long, sweltering weeks following Hurricane Andrew in Baton Rouge, Louisiana, when we had no power and no water and were all about to lose our minds. The devastation was unimaginable, and the hopelessness was palpable. It was a difficult time.

On top of all that, my circle of friends and I had recently experienced unspeakable tragedy: the death of a friend, Cari Lockhart, age 28, and her 20-month-old son, Logan. It's a long story and I won't go into the grisly details here (because they are grisly), but I will say that their deaths were a shock to all of us.

And then, just a few days later, around August 19 or 20, Hurricane Andrew washed away much of South Louisiana.

I had just graduated college that May. I'd had a difficult year, with a couple of suicide attempts and several stays at ICUs and psychiatric hospitals. It's a miracle I was able to graduate college on time. I was living at my parents' house when the hurricane hit, so during the days that followed, I was able to spend a lot of time at my piano, the Kimball console my parents had bought back in 1973.

Somewhere in all that darkness, "Logan's Song" was born. I understood very little music theory and knew even less about chord progressions, but I still managed to write a pretty good song. Unlike a lot of my other songs from that era of my life, this one seems to have stood the test of time for me; I still love listening to it. The process of writing it was incredibly healing in the wake of Cari and Logan's deaths, and the song itself proved healing for many of us who had known and loved them.

Fast-forward to October 2024. Since my digital piano requires electricity, I spent the ten days after Hurricane Helene with no piano. It was hard, I'll admit. Playing and writing "Logan's Song" after Andrew had kept me sane and brought me healing. I didn't quite stay sane after Helene. Piano would have helped. The other day, I sat down at the piano and played "Logan's Song," my old "hurricane song," for the first time in years. I was surprised at how much of it came back to me. After playing it through a few times, I could remember the entire song.

Anyway, I will stop rambling and share "Logan's Song" below. It has lyrics, but they have not stood the test of time as well as the music has. I'd like to tweak them a bit before sharing.

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...