I have no idea how long I practiced today. I had a rare leisurely day and managed to practice on and off all day ... I probably got about 150 minutes in, give or take a few minutes.
I didn't do Scales O' Day today. I just went through all of 'em, major and minor, four octaves, parallel and contrary motion--kind of like I used to do in college every day, minus the contrary motion. For arpeggios, I did a G major and Eb-minor. The arps sound great as long as I keep the metronome at 60. When I go above 60, the quarter-note contrary-motion arpeggios don't sound so good. I have to "warm them up" at 60 before I can play them well at 63.
This morning, I worked on the C#-major prelude for about a half-hour. I need to quit telling myself that piece is easy. It's not that easy. It's just easy when compared to the fugue.
I devoted the bulk of my today's practice time to Liszt (finally!). I can now play through the whole piece. I also spent quite a bit of time writing in the English translation of the song lyrics (Liszt's "Standchen" is a transcription of a Schubert song by the same title, and it means "Serenade" in English). Then I practiced, thinking about the lyrics while I played. Very interesting. I want to write more about that, but I don't have time at the moment.
I spent about a half hour on the fugue. My arms felt fine for the entire practice, but my right arm started to tingle again after working on the fugue for about 20 minutes. I switched to LH practice after that. This tingling-arm thing is really concerning me. I'm supposed to go to the doctor next week anyway, so I'll ask about it. I'll also ask my piano teacher about it at my lesson tomorrow. And maybe I should lay off of the fugue for a while.
Gotta run ... I'll write more on the Liszt later on!
I didn't do Scales O' Day today. I just went through all of 'em, major and minor, four octaves, parallel and contrary motion--kind of like I used to do in college every day, minus the contrary motion. For arpeggios, I did a G major and Eb-minor. The arps sound great as long as I keep the metronome at 60. When I go above 60, the quarter-note contrary-motion arpeggios don't sound so good. I have to "warm them up" at 60 before I can play them well at 63.
This morning, I worked on the C#-major prelude for about a half-hour. I need to quit telling myself that piece is easy. It's not that easy. It's just easy when compared to the fugue.
I devoted the bulk of my today's practice time to Liszt (finally!). I can now play through the whole piece. I also spent quite a bit of time writing in the English translation of the song lyrics (Liszt's "Standchen" is a transcription of a Schubert song by the same title, and it means "Serenade" in English). Then I practiced, thinking about the lyrics while I played. Very interesting. I want to write more about that, but I don't have time at the moment.
I spent about a half hour on the fugue. My arms felt fine for the entire practice, but my right arm started to tingle again after working on the fugue for about 20 minutes. I switched to LH practice after that. This tingling-arm thing is really concerning me. I'm supposed to go to the doctor next week anyway, so I'll ask about it. I'll also ask my piano teacher about it at my lesson tomorrow. And maybe I should lay off of the fugue for a while.
Gotta run ... I'll write more on the Liszt later on!
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