Skip to main content

Taming the Beast, Part 2: Fresh Progress on ATB

Hello, piano friends! I’m back with more updates on my journey to tame Jonny’s arrangement of "America the Beautiful," and it's starting to feel more like a friend than a challenge. In this post, I'll share where I’m at (again, LOL), with a video from three weeks ago and one from early this week. See below!

Jazzy Intro: Finding My Flow (and My Voice)

Three weeks ago, I shared a video of me working through the jazzy intro—definitely a bit rough. Now, I’ve got it memorized and I’m playing it with more confidence and emotion. Check out this video from two nights ago to hear how it’s coming along:

Last night, I started adding some slides to the melody and a few harmony notes. And I loved it! I'd like to add just enough to give it a bluesy feel without losing the smooth jazz vibe. So that's another thing I'll be working on!

Ragtime Section: Building Speed

This ragtime section is tough, but I'm making progress. Yesterday I focused on fast-twitch exercises for the right hand and closed-eye exercises for the left, and it helped--I can now play most of it at 100 bpm. The goal is 120, but 100 feels good for now. I can also tell that my hands are starting to get that relaxed ragtime look that I've seen with skilled ragtime pianists. I'm getting there!

Crossed-Hands Section: Smooth Sailing, and an Idea

The crossed-hands section sounds great, and I am once again thinking about sneaking in a "God Bless America" Easter egg. The question is, can I just throw just a line in and have it be recognizable? People won't be expecting to hear it, and I don't want to throw them off. At the same time, if I play through the entire song, it may be adding too much to an already busy arrangement. If I were performing live I could act confused at the new song's entrance, then shrug my shoulders as I allow it to finish ... and then act relieved and happy when we start "God Bless America" again. But that idea might be more fun (and easier) in theory than in practice.

Gospel Section: My Heart and Soul

This section truly is my heart and soul. I'm arranging it myself, drawing from Ray Charles's recording, and it's my favorite part of the whole piece (sorry, Jonny). I've got it down solid, but I want to add more improv to make it even more interesting (and personal). I'll be experimenting with some riffs tonight, so stay tuned for updates.

Beating the Vacation Deadline

With vacation coming up, time is tight, but I have tonight and most of the weekend to practice. I hope to have something polished to share before we leave. It's a challenge, but I think I'm ready for it--keep an eye out for my next update!

Comments

Popular posts from this blog

The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...