Backing Up, Slowing Down, Enjoying the Journey

As I mentioned yesterday, Bare Necessities is technically in maintenance mode. I'm no longer learning the notes, and I can play through it well enough, and at a good enough tempo, that it will have that "wow" factor for any audience.

However.

It's not perfect. Certain parts are sloppy. There are still a few parts that I flub more often than not. They're minor, and it's not the end of the world when I miss the notes, but the overall effect is less than dazzling ... and I want my performance of this piece to be knock-your-socks-off dazzling.

So there is work to do.

Backing Up, Slowing Down

Although I can play the entire piece at between 200 and 230, I've slowed it back down to the 160-170 range. My focus for now is repetition, repetition, repetition. And not just any repetition. This is perfection repetition: playing it perfectly, with no missed notes and no pauses, over and over and over again at manageable speeds. Once I've played it perfectly at least five times times at 160, I move up to 162. Then 164. And so on.

Last night, I focused on the A section. This morning, I focused on the B section. Yesterday morning, I focused on the outro. All of these sections will get additional practice sessions devoted to them as I demand accuracy while increasing the tempo. How long will this take? I have no idea. But by the time I can play it perfectly, I will have played the entire piece several hundred times. And I'll be able to perform it anywhere.

It's been a long journey so far, and the journey isn't near over. Luckily, I am enjoying every minute of it!

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The Rusty Lock and Key

I'm in a room. There's a door in front of me. On the other side of that door is a whole world of adventure and imagination and joy and delight, but for the moment, I'm locked in this gray little room. The door itself has a lock that is all rusted. I've tried to open it in the past, but I've never gotten very far. Sometimes I try to scrape the rust off the lock. I also have a rusty old key that I occasionally try to polish. Each time, after I've made a little progress, I'll put it into the keyhole in hopes of opening the door. It turns a half a millimeter or so, but the brief excitement at my progress dies quickly when I realize, once again, the lock isn't opening. I set the old key aside, and from there I can forget about the door, the lock, and the world outside, for months—years, even. But then something happens—I hear birdsong, or I catch a glimpse of color—and I pick up the key and start picking away at the stubborn rust. That dark little room is my ...

Dance of the Digits

Note: I've expanded significantly on this post over at my other blog, A Sort of Notebook . I am loving Liszt. I love the way my hands have to "share" the melody. I have so much to write on that, but I'm borrowing a computer and don't have enough time to do it justice. Suffice it to say that I've practiced three and a half wonderful hours today, and about two hours on Liszt alone. What I find wonderful about Liszt is that it pushes one hand hard, but not too hard. Then the other hand gets a turn to be pushed. But it's never both at the same time, and never one hand for too long. It's hard to explain. When I have more time to write, I'll word things rather more eloquently, I'm sure. All I can say now is that my fingers feel like they're dancing a wonderful, graceful dance. I've been trying to "play with my body," as my piano teacher says to do, so all of me is dancing. And Standchen, though it still need a lot of work (like, um...

The Amazing Practice Tracker 2.0: Leveling Up My Piano Game

(Apologies for the cheesy clip art. I needed to come up with something, or the Blogger template would show a fuzzy, overly-enlarged snippet of the first chart below.) When I showed my husband my piano practice tracker, he said I should market and sell it. Ha. It’s not for sale, but I’m excited to share how this tool has transformed my practice—and why it might inspire all three of my readers. Since my last post about the Amazing Practice Tracker, I’ve made it even better. Here’s a peek at how it works, using my June data. All The Pretty Colors, All the Pretty Winners My tracker now sparkles with color: darker shades for active pieces, lighter ones for maintenance, technique, and sight-reading. Each day, the piece I practice most gets a bright yellow highlight—a little “gold medal,” if you will. (Click image for a slightly larger view.) A leaderboard automatically shows the day’s top piece and time. And if that isn't enough, I keep track of the month's leaders--specifically, ho...

Picking Up the Pieces

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