Picking Up the Pieces

Yesterday the plan was to work on Schubert, and I did ... but I spent another half-hour on Bach, specifically measure 28 of the fugue. I had a hard time with this one. A couple of measures before, the F is sharped, and I kept wanting to play F#, particularly in the left hand. I finally ended up writing in a natural sign. I also couldn't figure out which fingering to use on that same F-natural. Four on F-natural, five on E-flat? Playing a black key with 1 or 5 is almost never a good idea, though it's occasionally necessary. Bach said to use 3, and I ended up going back to 3, even though it's a stretch from the 1 on D. I also struggled to hear the individual voices at the end of the measure when the soprano comes back in. I don't like to use the word "struggle" because that implies that the process wasn't enjoyable, and it was totally enjoyable. It took some concentrated work, and I forgot time as I played the voices hands separately, played slowly, p

Today's practice was broken into several short sessions. This morning, I tackled scales and arpeggios: All major scales at 72, all harmonic minor scales at 40. I feel like I could go a good bit faster on both, but I don't want to get ahead of myself. As always, I'm playing four octaves with contrary motion. Arpeggios are going well, I guess. I'm playing them the "old" way--or the "pre-Deborah" way. Deborah told me not to worry so much about connecting the notes, at least not to the point of twisting my hands this way and that. But now I'm back to the old, legato way ... which is fine. It's actually easier. Plus, I'm not doing contrary motion. It's just four octaves, repeated once, and that's it. I think it's good to do it this way for now. I'm definitely out of practice, and while I'm finding the arps "easy," I know there's always room for improvement. At another short practice, I played through Han

OK, so maybe I'm not going to the beach, but I do  see some quality piano time on the near horizon of my life! It's Friday, and my family has no plans for the evening. That means I will (metaphorically) clock out at 5:30 or so, and then I descend up on Henry the Grand and spend a few hours practicing ... oh, I don't know ... Schubert, probably. We do have a few things planned for tomorrow, but just a few. I'm hoping to spend a good chunk of the morning with Henry. And then I have Sunday afternoon. A whole afternoon with Henry! My husband and daughter are tossing around the idea of going to the beach for the first few days of the Thanksgiving holidays. I am gently encouraging them to go and have fun. Meanwhile, I'll stay home (since I don't have vacation until Thursday) and ... PLAY THE PIANO! (when I'm not working, of course) And write. And think. And walk. And read. And do all those things I never have time for. Most important is piano. I a

This morning I returned to Schubert for the first time in a couple of weeks. You read that right. It's been about two weeks (maybe more?) since I last practiced Schubert. There is something wrong with your life and your priorities when you don't have 30 minutes a day to spare for piano practice or  voice practice. And there is definitely something wrong. Not only have I not had time for piano, I haven't had time for writing, exercise, meditation/prayer, reading, listening to music, blogging, or even housework. It seems I go from work (where I'm always behind) to toting Anne places (where I'm always in a rush, and always late). Take, for instance, right now. I'm sitting down at 7:40 (work doesn't start until 8:30). My calendar has my first three hours blocked off for non-priority stuff that I need to get out of the way before I start on the priority stuff. But I just checked the ticket queue, and guess what. I have a good hour's worth of client

How has it been almost two weeks since I've blogged here? It's not because I haven't been practicing ... though the practice sessions haven't been as often as I'd like. I am continuing to work on the usual pieces, though my main focus for this past week has been the getting the fugue into my fingers. I guess it's been "nothing to write home about"--just slow, steady learning of measure by measure, starting with the final measure and working my way backwards. I can now play the entire second page through quite smoothly, if slowly. My next lesson is tomorrow and I have a busy night tonight, so I don't imagine I'll get much further. I'm also getting through my scales in less time, now that I've upped the majors to 72 and the minors to 40. Those minors are not quite so tough anymore. Even C# and G# aren't too bad. Playing them every single day for a couple of months has worked its magic! (If regular practice can be called "magic&